Mastering & restoration suite
$ixty Thou$and
Everything between a finished mix and a finished master.
Three ways to drive one 21-band engine, thirteen processors in a chain you arrange yourself, a cleaner for AI-generated music and a loudness maximizer — in a single window, with a shared LEARN that sets the smart parts up for your song.
The 21-band engine
Three ways to play the same 21 bands.
Every band from 20 Hz to 20 kHz can carry EQ, dynamics, stereo width, Haas delay, noise fill, transient shaping, reverb and saturation at once. The three layers below add up on the same bands, and two BAND SHIFT knobs move the whole grid up, down, wider or narrower.
VIBE
One knob and nine curated presets. The first half dials a preset in to full strength; over the whole range the knob adds 3D widening that opens the middle of the stereo image.
Analog EQ
Twelve broad knobs, each a complete mastering move. Nine presets that stack, plus SHIFT and Q under every knob. Four EQ models - CLEAN, MASTER, RICH and PASSIVE - change the character of every EQ move in the plug-in.
BPROC window
Point at a band over the live analyzer, drag, click. EQ (stereo, Mid, Side), dynamics, width, Haas with per-band L/R delays and a kick pump, fill, transients, reverb and saturation — with a ghost view of what each band really gets.
The PROCESSORS chain
Thirteen processors. Your order. One LEARN.
Click a name to open its page, click its LED to switch it, drag it to change the order. Play the densest part of the song and press LEARN once — MATCH, RESO, MULTI, M/S, NY and GLUE set themselves up for that material.
MATCH
Tilts the song's tonal balance toward a target: a noise-colour slope (pink to brown) or a genre profile — EDM, Hip-Hop, Pop, Rock, Techno — or your own reference songs, loaded right in the plug-in. Mid and Side can be matched separately, and FINE copies the target curve in thirds of an octave.
RESO
Finds up to seven resonances in your song and notches them — statically, or dynamically so a cut only works while its resonance actually rings.
MULTI
Keeps five bands near their normal share of the mix and only acts when one drifts. Drag the learned targets and crossovers right on the graph.
M/S
Moves the width profile of five bands toward targets, makes the width breathe with the kick, limits the Side and adds a band reverb.
TRANS
Upward compression that lifts quiet detail by up to +20 dB, a transient boost for the attacks, and a limiter to catch the lifted peaks.
VERB
A short, barely audible shared room that makes a mix feel like one space — felt more than heard.
CRUSH
An analog-style FET stage adding 2nd and 3rd harmonics to the presence band and the top, each with DRIVE and LEVEL.
COMP
A smooth feedback compressor with a soft knee — four knobs, gain-reduction history.
NY
New York parallel compression: a squashed copy with its own low cut and air shelf under the untouched mix.
GLUE
A classic bus compressor. LEARN sets threshold and make-up for the gain reduction you ask for.
REVERSE
After every kick a reverb swells up from silence toward the next beat — movement and depth in time with the music.
AIR
The cleaner for AI-generated music (Suno and similar): ring notch and refill, high repair, de-ringer with TOP FILL, de-exciter, humanize, and frame-artefact repair from the song file. AUTO picks the repair.
SWEEP
A tempo-synced flanger into a phaser, locked to the song position. The same effects can colour the VERB and M/S reverbs.
MAX
Always last: drives the output to a LUFS target under a true-peak ceiling, PUNCH or CLEAN limiting, a 5-band peak trim and DIRT soft clipping. Right before it, the SUB slider adds a dense, limited low-end bump around 50 Hz.
AIR — de-ringer with TOP FILL
M/S — width per band, kick pump
GLUE — learned bus compression
MAX — LUFS target, true-peak ceiling
Honest listening
Judge the sound, not the level.
AUTO GAIN matches the processed loudness back to the input as you work, VOL MATCH turns the final master down to the input's loudness for a fair comparison, and BYPASS is time-aligned. STEREO / MID / SIDE / SWAP keys let you check the master in mono, the sides alone or with the channels swapped. One shared kick detector (with its own LED) drives everything that moves with the beat.
Made for real sessions
No dropouts, no surprises.
A constant latency means switching processors never makes your DAW restart the plug-in. Tempo-synced effects follow the song position, and AUTO GAIN and MAX remember the level they learned, so renders match what you heard from the very first second. VST3, Windows 64-bit, no internet needed.
Try every feature for free.
The trial is the full plug-in — it only adds a short click every few seconds until you license it.